10 Screenwriting Tips From The 2022 Best Screenplay Oscar Nominees And Winners

Who better to learn from than writers nominated for the industry’s highest awards?

I always say if you want to learn how to write screenplays, you just have to read screenplays. We have a collection of scripts nominated for the 2022 Oscars, but we also wanted to get some actionable advice from the writers that you can apply to your own work.

So get out your pen and paper and start jotting down ideas from this year’s Oscar nominees for Best Original Screenplay and Best Adapted Screenplay.

Check out this video from Exceptional scenarios, and let’s talk next.

10 Screenwriting Tips From The 2022 Best Screenplay Oscar Nominees And Winners

1. Don’t look up Writers: Adam McKay, David Sirota — “Research and reflect on the kind of narrative that is ingrained in us as audience members and as people and subvert the expectation of that familiar premise.”

When you sit down to write something, it’s crucial to consider the audience. So take your time to learn a lot about the topics and story elements that you think will be connected.

There is a certain group of people who can get lost in the search. So be careful. Always start writing. Tell your story.

2. The worst person in the world Writers: Joachim Trier, Eskil Vogt — “Use love as a theme for something more than two people kissing.”

What does love mean to you? How can your film dissect that complicated feeling outside of kissing? If you want to tackle love, give it meaning.

3. Licorice Pizza Screenwriter: Paul Thomas Anderson: “Don’t chase themes when you write. Let them emerge naturally.”

Themes are hard to fill if you start looking for them. Often you have to write the story and let the themes emerge. So get to work on your idea and see what comes naturally as you go deeper.

4. Belfast Screenwriter: Kenneth Branagh — “Absorb what you learn from brilliant screenwriters, but don’t question your instincts when it comes to your own screenplay and focus on capturing the spirit of what you write. “

As I said above, to become great, you have to admire the great. Absorb how they order the page, the characters, how they show their voice. So follow your mind. What do you have to say? How can you tell the public?

5. King Richard Screenwriter: Zach Baylin: “Choose the most precarious period of your character’s life to make the story dramatic.”

With biopics, it can be difficult to encapsulate someone’s entire life in one storyline. And when you write an original idea, the thought process is the same.

You choose a part of a life where we see the greatest change. Circumstances that change everything. Dramatize it and see where it takes you.

6. Dunes Writers: Denis Villeneuve, Eric Roth, Jon Spaihts—”When adapting material, strike the right balance between delivering information so that people who have read the material enjoy it as much as someone who has just discovered this world. “

Exposition is a powerful storytelling technique. But you can drown an audience in it, you can be boring. Learn how to space out that exposure and make it relevant to the scene. And make it interesting.

7. The power of the dog Screenwriter: Jane Campion — “The story should continue to elude your best expectations, but feel true at the same time.”

This is tricky advice. In my rendition, I think Campion is urging you to subvert gender conventions. Stop doing what is expected, do what your heart wants.

Take the story to your emotional limit and see where you land.

8. drive my car Writers: Ryusuke Hamaguchi, Takamasa Oe: “Have the actors act out the stories you’ve written for them, because that way the stories aren’t just thoughts and ideas, but they become memories and experiences .”

It’s a really interesting staging technique. Write a few key scenes when you attach the actors. Ask them to be background scenes where they can feel the emotions of what happened to them and understand the pivotal moments. It can also help you understand where the story is going.

9. The lost girl Screenwriter: Maggie Gyllenhaal: “It’s inherently dramatic to speak the truth about something that’s taboo. Audiences will feel reassured knowing they’re not the only one with dark feelings.”

You can find an audience for anything. Never be afraid to bring up a subject.

Will they all work in Hollywood? Probably not. But making movies and writing screenplays are artistic impressions that can take us to new depths. Go over there. See who is coming with you.

ten. CODA Screenwriter: Sian Heder — “When you’re writing a story about something like a disability, don’t define the characters by their disability, but find their own personal flaws in them.”

Your characters should be defined by more than what people see on the surface. Do not rely on symbolism as representation. If you have characters with disabilities, be sure to honor them as human beings and tell a story with deep characters that matter. Get consultants to help you learn more.